![“(…)The ideal gallery subtracts from the artwork all cues that interfere with the fact that it is “art.” The work is isolated from everything that would detract from its own […]](https://i0.wp.com/www.lost-painters.nl/wp-content/uploads/2011/05/elmgreen-en-dragset3.jpg?resize=195%2C195&ssl=1 "Inside the white cube #2")
![“(…) The history of modernism is intimately framed by that space. Or rather the history of modern art can be correlated with changes in that space and in the way […]](https://i0.wp.com/www.lost-painters.nl/wp-content/uploads/2011/05/A0105.2.jpg?resize=195%2C195&ssl=1 "Inside the white cube # 1")
Recente reacties
- Art Island 2023 op Art Island
- Kunstmuseum Den Haag; Maarten Ploeg op Dordrechts Museum; Stop Making Sense (Nederlandse schilderkunst uit de jaren ’80)
- KunstRAI 2023 op KunstRAI 2022
- BRUTUS; Through Bone and Marrow op The New Current 2023
- Niels Broszat op Embassy of Art; Niels Broszat – De Karavaan doet Nieuwe Tijden Aan
Lost-Painters.nl
Brian O’doherty Archive
Inside the white cube #2
“(…)The ideal gallery subtracts from the artwork all cues that interfere with the fact that it is “art.” The work is isolated from everything that would detract from its own […]
Inside the white cube # 1
“(…) The history of modernism is intimately framed by that space. Or rather the history of modern art can be correlated with changes in that space and in the way […]
