Boijmans restaureert…

Ik weet dat in Antwerpen al jaren een hal is waar “publiekelijk” een schilderij gerestaureerd wordt. Boijmans in Rotterdam gaat dat nu ook doen met Dali. Wat ik zelf persoonlijk […]

Ik weet dat in Antwerpen al jaren een hal is waar “publiekelijk” een schilderij gerestaureerd wordt. Boijmans in Rotterdam gaat dat nu ook doen met Dali. Wat ik zelf persoonlijk fascinerend vind is dat een dergelijk gebeuren dus  een soort museumstuk, een performance wordt.

In de tweede wereldoorlog is het middanpaneel beschadigd en lange tijd is het drieluik gescheiden geweest van elkaar. En nu leek het Boijmans dus tijd om het publiekelijk te gaan doen vanaf 11 juni tot midden augustus. Iedere dag met de normale openingstijden is dus te zien hoe het schilderij beetje bij beetje in originele staat gebracht gaat worden. Misschien is het leuker om op een woensdagmiddag te gaan, want dan valt er te praten met de restaurateurs. En wie weet kunnen ze nog wat schildergeheimen van dat platte schilderen van Dali verklappen. Wat ook goed uitkomt is dat er rond die tijd ook een werk van Olafur Eliasson te zien is, ook altijd leuk.

Meer info, Boijmans website

Press release:

Salvador Dalí, Landscape with a Girl Skipping
11 June – mid-August 2010

Museum Boijmans Van Beuningen is to stage its first ever public restoration. For two months from mid-June, a delicate triptych by Salvador Dalí will be restored in full public view. The painting by this master of Surrealism will then be exhibited in Milan.

Salvador Dalí’s Landscape with a Girl Skipping will be restored in Museum Boijmans Van Beuningen’s Serra Gallery in full view of museum visitors. For two months they will be able to follow the different stages of the restoration process. On 11 June, after a month’s work behind the scenes, two restorers will start working in the museum four days a week, eight hours a day. The aim of the restoration is to reveal as much of the original composition as possible. The painting and six other Dalís from the museum collection will then go on show in Milan. This is the first Dalí retrospective ever staged in Italy. Masterpieces are being flown in from all over the world especially for this exhibition.

Air raid
Museum Boijmans Van Beuningen has a unique collection of Surrealist paintings by artists such as René Magritte, Max Ernst and Salvador Dalí. The painting now being restored comes from the collection of Edward James, an important English client of Dalí’s. In 1936 he commissioned him to make this work for his house in London. The painting was damaged during an air raid in the Second World War. The centre panel was then stored elsewhere and the side panels were transferred to the Tate Gallery. The panels were reunited and restored in the nineteen-sixties and then found their way to Museum Boijmans Van Beuningen as a long-term loan in 1972. The museum purchased the painting in 1977.

At close quarters
During the public restoration in the museum the painting will hang on a temporary wall, set obliquely in the space. Visitors will be able to watch the process at close quarters from behind a barrier so as not to disturb the restorers. Brief texts, photographs and a short film will explain the restoration, and every Wednesday afternoon there will be a period of one hour when visitors will be able to ask questions.

Restoration
The centre section is in a poorer condition than the side panels partly because of the way it was stored and restored, and as a result the differences in colour are particularly evident. During the restoration, which will be carried out by the Redivivus workshop, the old varnish and layers of dirt will be removed. This will bring out the original colours. The materials used for the restoration will keep their colour and texture and can always be removed again in the future.
The restoration will be carried out in six steps after an extensive preliminary examination: 1. The yellowed varnish layer and the greyish layer of surface dirt on and under the varnish will be removed, and flaking paint will be secured. 2. Old discoloured retouches, overpaintings and fillings in the paint layer will be removed. 3. An intermediate layer of varnish will be applied. 4. Where necessary, damage to the canvas and the paint layer will be repaired, filled and textured. 5. Retouching. 6. A final coat of varnish will be applied if necessary. After that, the painting will be put into a new frame.